British violinist, Daniel Hope, an exclusive artist with Deutsche Grammophon since 2007, is currently storming the charts with Max Richter’s Vivaldi Recomposed, both in Germany and in the USA. In more than 20 recordings he has earned worldwide acclaim such as the French Diapason d’Or, the Classical Brit Award, the German Record Prize, Belgium’s Prix Caecilia, five ECHO Klassik prizes and numerous Grammy nominations. Hope has performed with all the world’s major orchestras at Festivals including Salzburg, the BBC Proms, Lucerne, Hollywood Bowl, Verbier, Ravinia and Tanglewood.
And there sits the little old spinet-piano Sophia Thoreau gave to the Alcott children, on which Beth played the old Scotch airs, and played at the Fifth Symphony.
There is a commonplace beauty about "Orchard House"—a kind of spiritual sturdiness underlying its quaint picturesqueness—a kind of common triad of the New England homestead, whose overtones tell us that there must have been something aesthetic fibered in the Puritan severity—the self-sacrificing part of the ideal—a value that seems to stir a deeper feeling, a stronger sense of being nearer some perfect truth than a Gothic cathedral or an Etruscan villa.
Court House in Boston, to rescue a fugitive slave, looked back for his following at the court-room door, only the apostolic philosopher was there cane in hand." So it seems that his idealism had some substantial virtues, even if he couldn't make a living.
The daughter does not accept the father as a prototype—she seems to have but few of her father's qualities "in female." She supported the family and at the same time enriched the lives of a large part of young America, starting off many little minds with wholesome thoughts and many little hearts with wholesome emotions.
Retreating they had form'd in a hollow square with their baggage for
Nine hundred lives out of the surrounding enemies, nine times their
number, was the price they took in advance,
Their colonel was wounded and their ammunition gone,
They treated for an honorable capitulation, receiv'd writing and
seal, gave up their arms and march'd back prisoners of war.
Read Essays Before a Sonata (Charles Ives) for free • Full-text!
it is all over with the artist." The hog-mind and its handmaidens in disorder, superficial brightness, fundamental dullness, then cowardice and suspicion—all a part of the minority (the non-people) the antithesis of everything called soul, spirit, Christianity, truth, freedom—will give way more and more to the great primal truths—that there is more good than evil, that God is on the side of the majority (the people)—that he is not enthusiastic about the minority (the non-people)—that he has made men greater than man, that he has made the universal mind and the over-soul greater and a part of the individual mind and soul—that he has made the Divine a part of all.
Again, if a picture in economics is before him, Emerson plunges down to the things that ARE because they are BETTER than they are.
Essays Before a Sonata - Forgotten Books
Glass rejected his earlier works, formed an ensemble of amplified flutes and saxophones, electric organs and synthesizers, and began writing what is commonly known as "Minimalist" music (though Glass loathes the term; Debussy likewise insisted that he was not an "Impressionist.") "Minimalist" music is based upon the repetition of slowly changing common chords in steady rhythms, often overlaid with a lyrical melody in long, arching phrases.
Charles Ives's Concord : essays after a sonata in …
Magnifying and applying come I,
Outbidding at the start the old cautious hucksters,
Taking myself the exact dimensions of Jehovah,
Lithographing Kronos, Zeus his son, and Hercules his grandson,
Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,
In my portfolio placing Manito loose, Allah on a leaf, the crucifix
With Odin and the hideous-faced Mexitli and every idol and image,
Taking them all for what they are worth and not a cent more,
Admitting they were alive and did the work of their days,
(They bore mites as for unfledg'd birds who have now to rise and fly
and sing for themselves,)
Accepting the rough deific sketches to fill out better in myself,
bestowing them freely on each man and woman I see,
Discovering as much or more in a framer framing a house,
Putting higher claims for him there with his roll'd-up sleeves
driving the mallet and chisel,
Not objecting to special revelations, considering a curl of smoke or
a hair on the back of my hand just as curious as any revelation,
Lads ahold of fire-engines and hook-and-ladder ropes no less to me
than the gods of the antique wars,
Minding their voices peal through the crash of destruction,
Their brawny limbs passing safe over charr'd laths, their white
foreheads whole and unhurt out of the flames;
By the mechanic's wife with her babe at her nipple interceding for
every person born,
Three scythes at harvest whizzing in a row from three lusty angels
with shirts bagg'd out at their waists,
The snag-tooth'd hostler with red hair redeeming sins past and to come,
Selling all he possesses, traveling on foot to fee lawyers for his
brother and sit by him while he is tried for forgery;
What was strewn in the amplest strewing the square rod about me, and
not filling the square rod then,
The bull and the bug never worshipp'd half enough,
Dung and dirt more admirable than was dream'd,
The supernatural of no account, myself waiting my time to be one of
The day getting ready for me when I shall do as much good as the
best, and be as prodigious;
By my life-lumps!
Quotes . The word "beauty" is as easy to use as the word "degenerate." Both come in handy when one does or does not agree with you. Essays Before a Sonata (1920), p.But we like to believe that it is the height of Emerson's character, evidenced especially in his courage and humility that shades its quality, rather than that its virtue is less—that it is his height that will make him more and more valuable and more and more within the reach of all—whether it be by utility, inspiration, or other needs of the human soul.
Cannot some of the most valuable kinds of utility and inspiration come from humility in its highest and purest forms?