The style and rhythm of the Captain's speeches in the. second scene should be illustrated by reference to the interlude in Hamlet, in which the epic is substituted for the tragic, in order to make the latter be felt as the real-life diction. In Macbeth, the poet's object was to raise the mind at once to the high tragic tone, that the audience might be ready for the precipitate consummation of guilt in the early part of the play. The true reason for the first appearance of the Witches is to strike the key-note of the character of the whole drama, as is proved by their reappearance in the third scene, after such an order of the king's as establishes their supernatural power of informa-tion. I say information,for so it only is as to Glamis and Cawdor; the 'king hereafter' was still contingent, still in Macbeth's moral will; although, if he should yield to the temptation, and thus forfeit his free agency, the link of cause and effect more physico would then commence. I need not say, that the general idea is all that can be required from the poet,not a scholastic logical consistency in all the parts so as to meet metaphysical objectors. But O! how truly Shakspearian is the opening of Macbeth's character given in the unpossessedness of Banquo's mind, wholly present to the present object, an unsullied, unscarified mirror!And how strictly true to nature it is, that Banquo, and not Macbeth himself, directs our notice to the effect produced on Macbeth's mind, rendered temptible by previous dalliance of the fancy with ambitious thoughts:
springs from that craving after the indefinitefor that which is notwhich most easily besets men of genius; and the self-delusion common to this temper of mind is finely exemplified in the character which Hamlet gives of himself:
Although it cost Hamlet his own life, he took all the necessary steps as to proactively bring King Claudius to justice. Forcing Claudius to confess by his actions during the play proved Hamlet’s proactive characteristic. Convicting the King in the eyes of God as to when killing Claudius would undoubtedly result in an eternity of Hell an in making sure that Denmark knew the whole story concerning the illegitimacy of King Claudius’ rein, portrayed Hamlet’s ultimate task. Hamlet was unquestionable a man of action whose mission was completed successfully in the State of Denmark.
Of course this doesn'trepresent how Hamlet thinks about Claudius (who he detestsfor lots of reasons), and it's hard to explain what this is doingin the play -- apart from the fact that it's very true-to-life.
[tags: Wuthering Heights, Hamlet, revenge, Shakespeare, E]
As Kenneth Muir states, "He (Hamlet) is profoundly shocked by Gertrude's marriage to his uncle in less than two months after her first husband's death, although he has no conscious suspicion that his father has been murdered or that his mother had committed adultery."...
[tags: Hamlet, The Revenge Tragedy]
Almost every major male character in the play, whether it is Prince Hamlet, Laertes, the Ghost of King Hamlet, or King Fortinbras of Norway, is acting with purpose to avenge a death.
These works about Hamlet are extremely beneficial to the reader.
They go off to find Hamlet.Polonius comes inand announces that the ambassadors from Norway have returned,and that after their report he will tell them why Hamlet isacting strange.