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What did you say about “Starry Night?”

Starry Night by Vincent van Gogh

In many ways, this piece is all about contrasts. Dark blue and black hues oppose the bright whites and the yellows in the sky. The sharp needle-like tops of the cypress tree almost pierce the round halos around the stars. Interestingly, the whites and yellows of the stars resemble chicken egg contents (which in particular cooking styles must be kept unmixed and intact when pan fried) — a far fetched interpretation, but it brings home the idea of fragility. Several Van Gogh biographies and dedicated monographs imply fragility to be one of the artist’s personality traits. Some details from the painting:

To expand on the ovum allegory, it is possible to draw a parallel between the artist’s emotional state and a delicate egg: he is being poked and menaced by the cypress — dark, enclosing force representing a threat (or several threats) — until the shell breaks. When that happens, the artist’s soul becomes completely stripped, vulnerable to the extreme, and whithers. Eventually Van Gogh went mad; the view we are seeing is one from his mental asylum in Saint-Remy-de-Provence, France.

There is another striking contrast: the enormity of the stars vs. the seemingly Lilliputian buildings of the town. What was the city for such a man as Vincent Van Gogh? The depiction on the piece leads one to assume it was an afterthought, perhaps a bundle of mundane problems, however unavoidable — which he preferred to ignore, and never really learned to cope with.

Starry Night is one of Van Gogh’s best known paintings. It hangs in the , New York. This piece exudes psychological meanings and I would like to focus on several details and make some conclusions about “the bigger picture.”

Van brings forward elemental ecstasy as an alternative to the stiffness of established clergy; unbridled sentiment expressed in art vs. prettified channeling through the fixed text of a prayer — this painting may be seen both as a personal prayer and a defiance. The composition is inherently unbalanced, and very dynamic; appropriately, it spirals the painting to psychological heights or depths. If it is true that van Gogh engendered expressionism, this piece of his may be considered as one of the springboards for this art movement.

Starry Night by Vincent van Gogh has risen to the peak of artistic achievements

A Midsummer Night's Dream (c. 1595) was written around the same time Shakespeare his famous play about two "star-cross'd" lovers, . In Dream, a group of craftsmen (the "Mechanicals") bumble their way through a ridiculous performance of Pyramus and Thisbe (a story taken from Ovid's ). The Mechanicals' play is widely considered to be Shakespeare's light-hearted and silly mock-up of Romeo and Juliet.

Starry Night The Starry Night is Vincent Van ..

it’s as poetic as it’s sensitive — especially the link (“scraping the sky”) between trees and stars — it actually establishes a circular (or perhaps a spiral) relationship between the two kinds of nature, the small and the large. in turn, this could be a hint at the insignificance of size, and the relative insignificance of what’s going in the city trapped within the spiral.

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MoMA | Vincent van Gogh. The Starry Night. 1889

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starry night analysis Essays - 950 Words | Cram

Theo referred to these pictorial elements in a letter to Vincent dated 22 October 1889: "I clearly sense what preoccupies you in the new canvases like the village in the moonlight [The Starry Night] or the mountains, but I feel that the search for style takes away the real sentiment of things. " Vincent responded in early November, "Despite what you say in your previous letter, that the search for style often harms other qualities, the fact is that I feel myself greatly driven to seek style, if you like, but I mean by that a more manly and more deliberate drawing. If that will make me more like Bernard or Gauguin, I can't do anything about it. But am inclined to believe that in the long run you'd get used to it. " And later in the same letter, he wrote, "I know very well that the studies drawn with long, sinuous lines from the last consignment weren't what they ought to become, however I dare urge you to believe that in landscapes one will continue to mass things by means of a drawing style that seeks to express the entanglement of the masses. "